*Always follow the preferred citation style of your instructor
EXAMPLES
Figure 5. Coral and gold parure in original case, from Sicily, 1850. Encyclopedia Britannica ImageQuest.
Figure 6. Faconne velvet shawl with silk tassel fringe. Digital Fashion Resource Centre, Seneca College.
TEMPLATE
Photographer, P. (date photo created OR n.d. if date unknown). Title or description of photograph [photograph]. In A. Author, Article title. Title of periodical, volume(issue), page number.
Lawson, J. (2018). Turquoise Surprise necklace by Kieu Pham Gray [photograph]. In K. P. Gray, Turquoise surprise. Lapidary Journal Jewelry Artist, 72(5), p. 65.
Walton, S. (n.d.). British cross-stitch huipil from Comalapa circa 1980s [photograph]. In M. Maharani & G. Stegelmann, Huipil chase: How one textile collector went to Guatemala and came away with history. Worn Fashion Journal, (14), p. 2.
TEMPLATE
(Photographer’s last name, year photo created OR n.d. if date unknown)
(Lawson, 2018)
(Walton, n.d.)
TEMPLATE
Figure #. Title or description of image. Adapted from “Title of article,” by A. Author, date of publication, Title of periodical, volume, page. Photograph by Photographer’s full name.
EXAMPLES
Figure 7. Turquoise Surprise necklace by Kieu Pham Gray. Adapted from “Turquoise surprise,” by K. P. Gray, 2018, Lapidary Journal Jewelry Artist, 72, p. 65. Photograph by Jim Lawson.
Figure 8. British cross-stitch huipil from Comalapa circa 1980s. Adapted from “Huipil chase: How one textile collector went to Guatemala and came away with history,” by M. Maharani & G. Stegelmann, n.d., Worn Fashion Journal, issue 14, p. 2. Photograph by Samantha Walton.